2019 – 180 x 45 x 45 – Plaster and metal
Pattern I shows an abstract pattern, made by casts of the male knee. It’s a sculpture that explores how the base construction can merge into the surrounding area. The outline almost becomes a drawing and functions as a blank canvas for a subtle projection.
View media
2018 – 60 x 40 x 40 – plaster and metal
This work appears as an abstract pattern, until you notice that it’s completely build with prints of the artists hands.
View media
2017- 2018 – 160 x 30 x 30 – Colored plaster and wax
The layers of colour and the vibrant base refer to a world of its own, until you discover the traces of the human body.
View media
2017 – 15 x 7 x 5 – wood and colored plaster
Construction is a little piece of the human body, held by a man-made construction.
But of course, also the human body is a construction of the artist.
2018 – 110 x 70 x 45 – Plaster and metal
Sculpture accompanied by a drawing on silk paper on a metal and plexiglass display.
Afdruk explores tactility. Fine lines, subtle colors and detailed shapes contrast with the hard iron construction.
2017 – 135 x 60 x 40 – Wax and colored plaster
The self-portrait changes from a trace, a mould to a corpulent form. Both the positive form and the negative form are a complete valued state of artwork. It seems as if self-portrait in its second phase only refers to itself, but the attentive observer discovers the footprints, which are a clear reference to the existing world.
View media
2016 – 175 x 80 x 60 – Metal, fabric and plaster
Self-portrait (stage I) is an interplay between sculpture and performance, it appears to be a construction waste bag with a mark of the human body. When does the process of creating become a work itself? How many traces of the human body are needed to recognize the past presence?
View media
2016 – 165 x 100 x 55 – Perforated metal sheet
The viewer can easily recognize a human covering himself with a blanket, at the same time you can feel the void.
The contradiction or dialogue rises at the level of meaning but also on the level of material.
This sculpture was realised at the university Burg Giebichenstein – Halle, Germany.
View media
2015 – Aluminium construction of a water barrier and wax and analogue photograph
With her sculptures, Lieze De Middeleir walks the boundary between image and reality. De Middeleir uses pieces of reality in her work in the form of casts, and by processing readymades, like the alumium construction of a water barrier. I this case, the human body is present in the analogue photograph.
View media
